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Adobe After Effects
5.5 Production Bundle
Adobe's
latest revision of After Effects adds plenty of usability enhancements.
We check out the Production Bundle to see if it's worth the £800
premium over the Standard version.
As well as
its much trumpeted native support for Mac OS X (and full compatibility
with Windows XP), V5.5 of After Effects does offer some attractive new
features and improvements to justify the £93 upgrade cost - and
the advances are more than skin deep.
When we reviewed After Effects 5, we found that it took over V4's place
at the top of the video effects and motion graphics tree, even though
challenged by the ever improving NLE applications that incorporate special
and motion effects capabilities, such as Apple Final Cut Pro - which
also supports plug-ins. So, it's good to see that, with V5.5, Adobe
is refining the program's usability and adding features that speed up
workflow by reducing the amount of commands the user needs to execute
to get a task done.
To make moving up to the Production Bundle more tempting to users of
the Standard version, a new 3D plug-in is provided - Zaxwerks' 3D elements
Invigorator Classic, nominally worth US$475. This only comes with the
full retail version or when upgrading from Standard to Production versions.
So, its not included with the £93 upgrade from V5 to V5.5,
although this does have a US$250 discount voucher for the retail version
of Invigorator Classic or Pro.
What's new pussy cat?
The Production Bundle version of After Effects is aimed at advanced
effects and motion graphics professionals - business users who may not
worry about the price tag, or that it includes an £800-plus mark-up
for the additional capabilities. While After Effects' minimum system
requirements are merely a PowerMac or Pentium II computer - each with
128MByte of RAM - the recommended systems are multiprocessor machines
with loads of RAM. The reason is not that the program is RAM hungry
or badly written, it's more a result of the types of work done by the
application. Playing back animated, multi-layered sequences at 25 frames
per second ñ at full resolution - uses the host computer resources
to the max.
Conclusion
The After Effects 5.5 Production Bundle adds more powerful tools
specific to those working in film and broadcast. At £1,440, it's
not cheap, even if it is aimed at specialists. But is it worth the extra
£800 over the Standard version? Well, it's quite likely that some
users will think that it's a bargain compared to a number of other,
more expensive, visual effects applications. But, for many Computer
Video readers, the Standard version may be all that's required -
and even that's not exactly cheap.
What's easier to answer is whether to upgrade a V5 Production Bundle
to V.5.5. The new version provides a lot of features - worth considerably
more than the sub-£100 upgrade fee. Overall, the introduction
of V5.5 ensures that After Effects will remain the program of choice.
Its not quite in a league of its own, but it will continue to
be consistently favoured by many digital-effects gurus from Hollywood
to Harlesden.
Steven Hood
For the full review,
see the September/October 2002 issue of Computer Video.
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