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Pinnacle DV500
DVD
The
DV500 might be the veteran of real-time DV editing cards in the consumer
arena, but Pinnacle isn't ready to lay it to rest just yet. And the
DV500 DVD might well be a dream come true for many would-be DVD authors.
Pinnacle's DV500 was the first dual-stream DV editing card to break
into the mainstream prosumer market, and has proven to be one of the
most popular DV cards to date. Almost three years on, Pinnacle seems
unwilling to retire the board, and is intent on expanding its capabilities
to address new demands of video editors.
The latest incarnation is the DV500 DVD which - aside from some slight
software updates -is almost identical to the DV500 Plus. The card's
real-time editing capabilities are largely unchanged, but this new revision
has the ability to export DVD-compliant MPEG-2 video in hardware using
a C-Cube chipset that is otherwise used for real-time previewing of
effects and transitions.
The bundle also weighs in at around £50 less than last year's
DV500 Plus, and sports an up-to-date version of Impression DVD Pro SE
for disc authoring, as well as the full version of Adobe Premiere 6
for DV editing. Installation was a breeze on our Athlon-based test system
running Windows XP, and we were pleased to see a minor alteration to
the break-out box - now providing a DV port as well as analogue AV sockets.
This addition doesnt require any change to the capture board itself,
it's just that the new box uses two cables - one which plugs into the
card's analogue extension port, and another that goes to its FireWire
socket.
Real-time editing cards aren't supported natively by Windows in the
way that OHCI FireWire cards are, and so DV500 users are forced to use
the bundled editing software - Adobe Premiere 6. But, things are no
different for those who buy a Matrox RT2500 or a Canopus Storm or Raptor
RT. Even so, this lack of software choice can be an off-putting restriction.
Thankfully, however, the next revision of Pinnacle's own multi-featured
editing software, Edition DV 4.5, will support DV and analogue capture
and output using the DV500. Look out for more details and a hands-on
test soon.
Conclusion
As a real-time editing card, the DV500's thunder has long been stolen
by Canopus's DV Storm, just as its range of special effects has been
out-classed by those of the Matrox RT2500. And, while analogue inputs
and outputs are genuinely useful, we feel that the DV500's real-time
functionality is a little too limited to be held up as a serious selling
point.
Integration with the Edition DV editing program ought to boost sales
of the card significantly, since that combination of hardware and software
looks likely to result in a very attractive DV editing set-up. But,
right now, there is one nearly overpowering reason for many editors
to look very seriously at the DV500 DVD with the current software bundle
- and that's the very impressive quality of its MPEG-2 encoding. Although
not quite as convenient as the real-time capture available from Pinnacles
DC1000 card, the DV500 DVD does a tremendous job of encoding
even at relatively low bitrates. Given the relatively high prices of
competing hardware encoders from Canopus and Vitec, we can only conclude
that the DV500 DVD package offers by far the best all round value.
Peter Wells
For the full review,
see the September/October 2002 issue of Computer Video.
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