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Avid Xpress Pro
As
the prosumer DV editing market becomes more advanced, Avid has had to
make some tough decisions, introducing 'affordable' software-only solutions,
the latest of which is Xpress Pro.
There's no denying
the importance of the Avid name. It was Avid that helped establish the
concept of computer-based, non-linear editing in the broadcast and film
industries. But, being a pioneer, Avid's roots have been firmly planted
in a market of high-end turnkey systems, with very high-end price tags
- sometimes amounting to hundreds of thousands of pounds. Today's low-cost
PC systems, coupled with growing competition from software developers
selling very able editing programs for as little as £300, has
seduced many freelance professionals and small-scale production companies,
putting Avid into a very awkward corner. It desperately needs to compete
in the new mainstream, even at the risk of annoying customers who have
been paying unholy sums of money for their editing equipment over the
last decade.
Avid's answer has, until now, been XpressDV - which began life as an
overpriced and inappropriately-specified IBM workstation, and slowly
evolved into an attractive - but still expensive - software-only product
with V3.5. Part of the problem with XpressDV's marketing was that the
program was made available in two versions - Standard, costing around
£1,500, and Power Pack, featuring a more comprehensive and professional
software bundle, at £2,233.
Avid has turned its pricing structure and marketing around. XpressDV
is now only £576 inc VAT - that's the whole bundle except for
film cutting tools and support for 24fps media. Naturally, there's a
danger that many editors who paid out big time for Xpress DV 3.5 Power
Pack will be miffed by the drastic price cut, but Avid has a new and
more expensive editor up its sleeve, in the form of Xpress Pro, and
as a sweetener, existing Xpress DV users can upgrade for a mere £361.
There's only one flavour of software with Xpress Pro - a rich bundle
of programs costing £1,527. The package is comparable to that
of the XpressDV Power Pack, but Avid is maintaining its two-tier system
by introducing Mojo - a hardware accelerator that provides real-time
output to tape, as well as analogue video inputs and outputs. Our review
sample was software-only, but we hope to bring a separate review of
Mojo in a future issue.
Conclusion
Xpress Pro is a first-rate editing program, and offers some real
improvements over the previous version of Xpress DV. In particular,
the increased number of timeline tracks, multi-camera editing, and automatic
controls in the colour control panel make it well worth the upgrade
price. We're also encouraged by Avid's new pricing policy - putting
all the good software in the basic package and charging a premium for
hardware acceleration. But even at the new 'low' price of £1,500,
we doubt that many editors will be tempted to switch from very able
(and more affordable) programs such as Adobe Premiere, Pinnacle Edition,
Sony Vegas or Ulead MediaStudio.
The benefit of Xpress Pro is clear if you work with Avid software all
the time, or if your projects are likely to be remastered on high-end
Avid systems. There's also a huge attraction for film makers wanting
to edit for a negative cut rather than video release, as Xpress Pro
has excellent tools for managing telecined rushes and providing cutting
lists from edited projects. Otherwise, for those starting and finishing
on DV or DVCAM, there's little Xpress Pro can offer that more affordable
competitors can't. Some might argue that Xpress Pro is worth the money,
just to become proficient with Avid's software. The sad truth, however,
is that there are far more Avid editors in the professional marketplace
than Avid systems, and familiarity with Avid's software won't guarantee
you work in the professional sector. We think it's far more important
to learn to edit well - and for that you need practice, not a pedigree
program.
Peter Wells
Read the full review
in February 2004's Computer Video magazine.
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Avid Xpress Pro
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DVD Workshop goes pro
Adobe editing suite on the cheap
Toshiba portable Media Center
Forging ahead in sound
Edit-ready Apple PowerMac
LaCie Toast 6 burner bundle
ADS Tech USB2 boxes
Budget Canopus ProCoder
Pinnacle Dazzles
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Discreet 3ds max 6
Premiere Pro music-making
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