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Sony Vegas 5.0+DVD
As
most competing prosumer editing programs grow more alike, Sony's Vegas
refuses to conform. Its approach to DV marks it apart and could make
it a must-have program
Competition is still
fierce in the prosumer video editing market, and most software developers
seem intent on conforming to a specific type of workflow and user interface
- largely based on a model set down by Avid with Media Composer. Pinnacle's
Liquid Edition already comes from the same background as Avid, having
been developed by Fast for the high-end broadcast market, but the model
has also been adopted by Canopus with Edius, and even Adobe has applied
a more high-end feel to the interface of Premiere Pro. Amid all this
conform-or-die panic, Sony bought Sonic Foundry, and its very individual
DV editor, Vegas.
Vegas began life as an audio editing application, and hasn't significantly
changed in approach or attitude with the addition of video editing tools.
Video enthusiasts crossing over from other editing programs are almost
certainly in for a steep learning curve, but those coming from an audio
background should be up and running within minutes. Its audio-centric
approach to DV could be the program's biggest strength - sound is a
hugely important part of the movie-making process and badly neglected
by the majority of DV editing programs.
Vegas+DVD is a bundle of two programs - Vegas 5 for editing, and DVD
Architect 2 for DVD Video authoring. When we looked at the previous
pairing, Vegas 4 impressed us greatly with its support for 24-bit audio
as well as its intuitive and tactile 5.1 surround-sound panning. DVD
Architect 1 added Dolby stereo and surround-sound AC-3 encoding and
a reasonable (but rather limited) DVD authoring program. With V5 of
Vegas, Sony Pictures Digital [Media Software] has decided simply to
build on the strengths of its predecessor, while DVD Architect 2 has
seen a substantial overhaul in reaction to strong competition from Adobe
Encore and Ulead DVD Workshop 2.
As well as the main application, Vegas's installation process provides
a network rendering engine that can be installed on up to two other
computers. The program also needs Microsoft .NET Framework 1.1 to be
installed. This is provided on the retail CD, but anyone buying online
should be prepared for an extra 23MByte download on top of the main
application. Vegas and DVD Architect need to be activated, too, otherwise
they stop working after 30 days.
Conclusion
Vegas 5 is a good DV editor in its own right, but its unorthodox
approach could discourage a lot of experienced editors familiar with
the more established Avid-style interface. On the other hand, Vegas's
audio tools put most of its current competitors to shame and we're sure
that (from a video enthusiast's perspective), Vegas will present a much
easier learning curve as a movie-orientated sound editor than most dedicated
audio programs. Now that it's possible to use almost any DV editing
program on a system with an OHCI FireWire port, there's no reason why
users can't have more than one program installed on their systems. And,
even if Vegas 5 is not the first-choice video editor, we still consider
it a must-have program.
We're highly impressed with DVD Architect's logical and intuitive interface.
Purists will be disappointed by its inability to import and use ready-made
menus in Adobe PSD format, but for DVD authoring from scratch, the program
is generally excellent. Its lack of support for commercial replication
processes is a worry, though - not only because it leaves Architect
several steps behind Encore and Workshop, but also because it causes
'Vegas+DVD' to fall way short of its potential.
This software bundle could represent a killer package for finishing
off movies. Its surround-sound mixing tools are intuitive and genuinely
easy to use, video and audio editing tools are strong, and network rendering
can be a huge help with colour grading and video filters. From there,
taking the finished project to DVD with Architect would be a logical
step, but without support for DLT or copy protection, commercially-minded
users will have to author their discs in another program, bypassing
Architect altogether. Doubtless Sony will eventually respond to market
pressure and bring Architect in line with its competitors. Until that
time, Vegas+DVD is an excellent package, but falls sadly short of its
potential to be phenomenal.
Peter Wells
Read the full review
in August 2004's Computer Video magazine.
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